Toni Morrison’s play Desdemona gives voice to the silenced women from Shakespeare’s story.

10 revision exercises on quotations in Othello. They are designed for pair-work 15-minute sessions in class, but work perfectly well for individuals. The purpose is to generate ideas and debate about the play, and they should only be done once you know the play well, particularly as retrieval practice.

Kiernan Ryan’s new overview of Shakespeare’s tragic oeuvre is magisterial and consistently interesting. Here are some notes on his chapter on Othello.

Othello’s Secret: the Cyprus Problem, by R.M. Christofides, is an unusual mixture of the academic and the personal, and a recommendation for anyone studying or teaching the play.

The short scene at the start of Act I scene iii, when the Duke and his advisors work out what to do about the Turkish fleet, prefigure significant issues in Othello: how to judge, how to weigh evidence, how to get to the truth.

An analysis of the opening scene of Othello, looking at how Shakespeare presents us with ideas of how we can or can not ‘know’ truths, and how we can or can not be ‘satisfied.’

Graham Bradshaw’s short commentary on Othello is provocative and thought-provoking.

Othello: Language and Writing by Laurie Maguire, Professor of English at Oxford University, is in the Student Skills series from Arden Shakespeare, but is also an excellent refresher for teachers.

Patrick Page goes deep into Iago’s character in this fascinating talk for Red Bull Theatre’s Chicago 2020 project.